Lauren Spencer Smith's new single Natural Disaster explores self-sabotage ahead of her deluxe album release. Raw piano-driven ...

Bristol artist Pem confesses porousness on "(easily) moved", where her quivering vocals turn emotional instability into ...

London artist Gretel announces debut album Squish for April, sharing fuzzed indie rock title track that weaponises romantic vulnerability as cultural critique.

On Seventeen, Nina Nesbitt steps back from youth and into authority. The track reflects life after the rush, written from the ...

UK's Bellah and Florida's Destin Conrad prove romantic patterns don't need fixing on their sultry new collaboration "Typical" ...

MJ Cole and PinkPantheress reimagine 1998 UK garage classic Sincere. Cross-generational collaboration proves the genre never ...

NLE Choppa's Shotta Flow 8 bangs hard, but his core fanbase celebration masks a bigger question: did he return by choice, or ...

Paris Paloma's "Good Girl" rejects both patriarchy and the exhausting demand to love yourself through it. A fed girl is the ...

On "Debris," Labrinth stands in the aftermath of performance, asking what's left when you've given everything for approval ...

Sasha Keable’s “Tell Me What You Want” rejects ambiguity, pairing explicit queer desire with restrained R&B production that prioritises intimacy over trends.

Melanie Martinez dismantles Cry Baby on POSSESSION, the opening signal from her double album HADES. A sharp reading of power, control, and survival.

Jon Bellion's Two Car Garage transforms a five-year-old leaked demo into a substance abuse intervention, trading synth-pop for indie guitar work.