Among all the directorial debuts made by actors in this century, Maggie Gyllenhaal ’s Elena Ferrante adaptation “ The Lost Daughter ” (2021) has a special place. Nominated for Oscars in Best Actress,

Box office preview for the first weekend of March 2026 shows 'Hoppers' leading with $88M worldwide and 'The Bride!' with around $40M WW.

Ambition can be a curse as much as a blessing. And it dooms The Bride!, a revisionist take on James Whale’s 1935 Universal horror classic that—with every flamboyant twirl, guttural scream, and punk-rock flourish—aims high and falls short.

Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC

Only seconds in, I regretted leaving my trusty torch and pitchfork at home because this bride should have been left at the altar.

On March 15, Jessie Buckley almost surely will be presented with the Academy Award for Best Actress for her terrific performance in last year’s “Hamnet.” ‘Hamnet’ review: ‘Nomadland’ director

In The Bride!, with a screenplay and direction by Gyllenhaal, we're transported to a 1930s Chicago reimagined through a gothic and vibrant lens. The story